Tuesday, 3 March 2009

RSA New Contemporaries 2009

Installation view





Untitled (2009) - Watercolour and ink on paper


Untitled (2009) - Felt tip pen on tissue


A Photograph of My Hand Reflected in a Photograph of My Parents at a Wedding One Month Before Their Own Marriage (2009) - Photograph


An Upside Down, Highly Inaccurate Representation of the Earth, Minus Greenland (2009) - Watercolour and pencil on tissue


Untitled (Rockette) (2008) - Water colour on paper


Who Am I? What Do I Do? (2009) - Unfired clay and watercolour


Who Am I? What Do I Do? (2009) - Unfired clay & watercolour, tissue soaked in every watercolour mixed on my palette



Who Am I? What Do I Do? (2009) - Plastic bottle, gold paint, tissue, ink


Who Am I? What Do I Do? (Cheryl) (2009) - Papier maché made from every picture I could find in my Mum's magazines of Cheryl Cole, acrylic paint, ink, charcoal


Who Am I? What Do I Do? (2009) - Unfired clay, watercolour, wire

Saturday, 14 June 2008

Fragments of Demeter/Recalling Poseidon (2008) - Degree Show Statement

Fragments of Demeter/Recalling Poseidon


Δημήτηρ/Ποσειδῶν (Demeter/Poseidon)

In Greek mythology Demeter was the goddess of grain and fertility, her name translating as distribution mother or mother-earth. Poseidon, whose name signifies consort of the distributer, pursued Demeter only to have his advances spurned by the goddess. In an attempt to divert his attention from her, Demeter disguised her divinity by transforming herself into a mare and roamed among the horses of King Onkios. Poseidon was not fooled and, by turning himself into a stallion, he raped her.

The supernatural influence of mythology allows cultures to make sense of nature and humanity and that which does not always make sense. Fragments of Demeter explores the reality of a complex and personal history in which recollections of the same event are characterised and fractioned, and space is peppered with ambiguity, chaos and control. Methods of control and disorder bridge the gap between personal and public reality, quietly revealing things that go unsaid.

Fragments of Demeter/Recalling Poseidon (2008)

Installation View


Installation View

Digital projection, steel plinth, birch plywood, paper, foldback clips, mouse bones - Dimensions variable



Saddle, horse hair, ribbon, steel plinth, birch plywood, mirror - Dimensions Variable

Photograph on MDF - 200 x 220 mm



Horse hair, mouse bones, snaffle bit - Dimensions variable

Photograph matt laminated on MDF - 1220 x 610 mm

Sunday, 27 April 2008

Untitled (Explosion)

Film still - gunpowder explosion

Sunday, 13 April 2008

Epitaphs

Tree, flowers - Dimensions variable

Tree, flowers, mirror - Dimensions variable


Tree, flower petals - Dimensions variable

Sunday, 23 March 2008

View II

Pencil on rag paper 42 x 59.7 cm

View I


Polaroid photograph, oak frame 40 x 50 cm